If you intend to do further mixing or mastering, then avoid normalising at this stage (that’s when the loudest part of the file is boosted to the maximum without incurring distortion and brings everything else up in proportion).īefore exporting, make sure your mixer settings, including solos and mutes, are correct, because that’s how they’ll come out the other side.
In many cases, the default export settings work fine they’ll provide a CD-quality stereo file that contains the entire mix, with any relevant effects and automation. This is a fast way to find out if there are any forgotten bits of clips or automation hanging around at the end. You don’t have to highlight anything if you’re exporting the entire arrangement, but often it’s best to use the Select All function to highlight the whole thing, so you can visually check what’s happening at the end of the song. If you want to render just a section of your arrangement, click and drag in Live’s Arrangement View to highlight the selection, or type the bar values in the Export Audio/Video box. There are two methods – the first is to play through the arrangement in real time and capture it into a tape machine or some kind of digital recorder, or – more likely – export it as a stereo file to the same computer you created it on! At various times, this process will be called export, render, or bounce, but they all mean the same thing. Unless you’re going to keep your precious musical creations trapped in a little bubble, sooner or later, you’ll need to create a finished mix so you can get them out into the real world.
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